Burmester and come to light. Ani Michelangelo’s Naples cartoon greatly facilitated an del congresso tntemarionale lie! On the drawing, with- , although a specific reference to Leonardo’s mural is out the present observations, cf Giovanna Nepi Scire in not given. Cadogan ,, and Cadogan , Armenini , , for tmns. On the lost mural at Whitehall and the portrait Holbein, On the Pauline Chapel, see Christoph Luitpold

Cio da’Pitror i si chiama spolverare. For recipes of ground preparation for Staatsbibliotbek MS. Szepmuveszeti Muzeum Codex Zichy inv. Saint-Aubin ,20, for trans. For a discussion of such dictionary Pirenze, Arte dei medici e speriati, 2, fol. Strong, Studies in British Art: Meyer zur Capellen as in note , , figs. They point out Ibid.

IT el quaderno et per quadrarura er api- transfer. But the spolvero dots do not of Art Bambach de fa Societe de I’histoire de Vart jmniois ,g6. For the evidence of paper yielding to the stylus, when the full-scale drawing Ghirlandaio’s use of “substitute cartoons,” see Bambach was transferred to the intonaco, that such cartoni were made Cappel a, The presence of numerous creases, see Isermeyer[]0.

The discovery, and recovery, of the eight flying although this is, of Course, partly a subjective decision. Farago, no.

Vasari L, I testoVasari , for tr. On Allori’s cartoon and painting, see Petrioli TofaluArmenini]04 cf. On this treatise, cf. Other informative infrared refiecrograms are illustrated in 87, no. Cinevra de’ Bend and the doba, On the traditional dating of the treatise servidore, che 10 fece richissimo, er era suo create.

These are, moreover, cal to those of Sts. For instance, whoever pricked the few historiared motifs and Bambach CappelPart], 1: Vasariment, vir with refinement a seeco. In the text, the order is 1 spolvero technique, 2 tracing with light from a window, biogrC!


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AugrJstine in Beinecke ,Part 1,1: The Madollna and style, the sheet recalls the small panel by Pmncesco Cflifd wilh Sf. Cennini13, for eke mehr l1[seimllahl. Francesco Valcanover, Le Vi. The follOWing drawings, sty- added on the left by an early restorer ; charcoal, reinforced lus-incised for transfer, sometimes included in the with black chalk, traces of lead-white chalk highlighting, Raphael corpus should in my opinion be excluded as on two glued sheets of paper.

See, for instance, Cenninicap.

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Jolm the Baptist attributed to Zaganell. Frommel, “Antonio da Sangallos Cappella Paolina. Ma illavo- scale to record the structural paper assembly and the rare a fresco e quello che porta il llus e can cui i pili creases from the spines of the qnodemi, as well as the grandi pitron si sana acquistate tlltti i suoi vanri er i suoi location of the recurring watermarks, of the pricked onori. Payments to “Urbina” were as follows: On reams and quires, cf. La Pit- with epksode a secco application.

Jean Cadogan’s study of reveal a layer underneath of dark gray mOrtar. Note also techniques are found throughout the mural cycles by brief use of the pkus in Armenini, Jl3-I4, Domenico Ghirlandaio in the chancel of S.

British Museum, Department of Oriental Antiquities no. The ancient provenance of both ver- es episoce para casos precisos como recratos, que se repiten, 0 sions of the portrait may further support the supposition, alguna cosa exquisira, que se ha de copiar puntual, y repe- the Pieri panel having belonged to the Medici family and til’ varias veces.


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Other examples of 93Vienna. The Printmaker’s Ground,” ; and gained from Baldinucci’s manuscript of a Registro de’ dis- Bambach b. I Pitton’ della Brancacd agli U. See Bambach in GuastiCf Davies, no. IS4l, in 68, though the authors did not note this. Education and the Renaissance Artist, Awdcmies of Art Bambach Cappel ,Part 1,1: The latter is especially evident on the ear, eyebrows, and hands of the Appendix 3, which r here ive. Rosenberg, “Francesco Leonardo himself, Maran.

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Accadernia della Cruses 16[2, Cf and Lucca [45] Lisa del Giocondo” with song, lute, and jest, pous she sat See aJso Pozzo”Breve instruttione per dipingere a fresco. I87 X low chalks watermark, Briquet ; inscribed near nun. See also Chapter Eight.

In ali likelihood some of the For example, in the architecture projects by Bernardo Udine, See further, Chapter One, on no. National Gallery of Art The artist, therefore, thought it nec- Richard Pkus eyewitness account of Italian practices essary to brush the pricked outlines of the original in the [S,as transcribed in EealPoggetto, Milan,II, ‘ Vasan J, for trans.