After confirming her identity, he tells Younes that her hair does not look natural and that she is probably wearing contact lenses. He says that he does not smell anything bad and that everything is normal and she accuses him of having a nose that does not work properly. Anis Episode 1, This is exemplified when Sfiya sobs with her granddaughters and blames their mother in front of them for putting their father through a lot of misery. In addition to that, the male doctor was shown as having the upper hand by having her agree to escort him to a date despite the fact that they have only known each other for a few minutes, this further confirms the idea that women are easily manipulated by men and this scene in fact reinforces this and portrays sexual harassment as something normalized in the work place and that women are fine with it. In this scene we notice a shift from the urban area to a rural one.
Subsequently, the analysis chapter will contain two examples of Moroccan series that were aired on the two main Moroccan channels so as to give a more representative and objective view about how women are represented in Moroccan television. The way he leered at her showed a clear sexual interest or otherwise deep affection. Skip to main content. Anis quickly turns his back on them and apologizes claiming that he did not see anything. Karima eloquently responds by saying that she is not addressing her father now, because her father is at home. This woman, named Sfiya, turned out to be his mother, she complained to Mennana, her daughter in law, and blamed her for not allowing her son to see her neither in life nor death. Contrary to the first scenes, this one does perpetuate stereotypes; on the contrary, it challenges them. They leave him lying in the ground and head for the ceremony.
She then started to tell Rhimou how much she is fond of her out of all her sisters. After confirming her identity, he tells Younes that her hair does not look natural and that she is probably wearing contact palla.
2m: bnat lalla manana :ilham ouaziz-nora skali-saadia ladib-nadia el alami
She then started gossiping in a low voice and sneering at the daughters telling the other woman that they only appear to be well-behaved whereas in fact they are reckless and immature. Karima and the other women surprise everyone by shouting anti-men slogans and wearing manly clothes.
It appears that the people of the house were preparing for a special occasion. This goes to show how the series reinforces the idea of women bickering about unimportant children like children which is clearly a misrepresentation of reality. This is exemplified when Sfiya sobs with her granddaughters and blames their mother in front of them for putting their father through a lot of misery.
After Younes left, Anis walks to Dr. After looking at her face, Hajj shouts at her because apparently she was wearing make-up. Upon noticing him, the women scream and warn one another that there is a man watching them. In this case, Karima plays on the masculine conservative mentality by using the taboo of virginity to her advantage. As they stop, Hajj Bahi asks Karima about the meaning of all this, and claims that she is embarrassing herself.
She says that she knows what the women of the village are afraid of. The first example that will be analyzed is Lalla Mennana which is a Moroccan series that was broadcasted in on 2M. Another woman interrupts by saying that if men without women are useless then the opposite is true as well.
Analysis of the Images of Women 1. She speaks about the inequality that they suffer from and that men are the only ones who are privileged. Sfiya Episode 1, After a while, a woman enters the house wearing a black jellaba and starts sobbing and moaning about how they did not wait for her to see the dead man lallla bid him ,alla before his burial.
However, after Karima leaves the room Mounia reverts to her former state which shows how difficult it is menanz change some mentalities and that sometimes affection can blind meenana from such egalitarian considerations. They are portrayed as showing one face to people and talking bad about them in their back. He apologizes to her for being disrespectful and worrying about his shoe when she has just 19 Bnat La La Mnana, Episode 1 www. He says that he cannot wait to wed her and have her as his lawful wife.
The name of the series is the village in which its main events take place. During the funeral, as the guests are mourning the dead man, two of the daughters, Bahia and Chama played by Noura Skalli and Samya Akeryou, argue in whispers as the first one blamed the second for not painting the windows properly.
After complimenting her on her successful last surgery he wishes that he assisted her. Mounia and Karima Episode 1, She wonders aloud and asks Rhimou whether it was vnat contraband or under warranty.
The theoretical part will tackle the position of women in the Moroccan media according to official reports and statements by experts in the field as well as government figures.
This perpetuates the idea that even if a woman has reached the peak of her career and is financially independent and highly educated she is still susceptible to the tricks played by men. Hajj Bahi tries to fix things by saying that she is indeed one of a kind.
The second series is Dar El Ghezlane who at the beginning seems like another stereotypical television show but in fact it provides the reader with a different outlook on the situation of the Moroccan women through portraying the pressure that a free thinking Moroccan women who has feminist principles lives under and how she copes with the situation in a rural area where the views on women are traditionally conservative.
Hanae smiles reluctantly and the camera moves to a toothless elderly man who was lying on the bed and overheard their conversation which made him laugh pleasantly. The implication in this scene is that being a female will always attract the sexual interest of co-workers and that no matter how good she is at her job —even after successfully performing a heart surgery- she is still looked at as a body and judged as such.
The way he leered at her showed a clear sexual interest or otherwise deep affection.
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Hajj Bahi leaves the house because he has something to do and leaves Epizode sitting in the guestroom. Rhimou asked Bahia what she was doing in there; the latter replied that she was resting.
Mounia soon realizes that her sister is merely being cynical. Analysis of the Images of Women Women in Moroccan Media First and foremost, it is of vital importance to shed some light on epusode the audiovisual situation in Morocco. He says that he does not smell anything bad and that everything is normal and she accuses him of having a nose that does not work properly.